Blogs against YouTube?

Hello yahoo A few months ago he opened a YouTube channel Vlog, and published a series of videos showing some of my views on business, politics, religion, philosophy and so on. I met with some success, and to date around 3,000 visits combined. Regrettably I had to quit to spend more time with my exams, but now I'm thinking are reopened. My question is, however, which is more efficient in terms of impact on the user and most views - YouTube or a blog? (As Tumblr, WordPress, etc.). I consider myself to be a better writer in front of a camera, let alone that it can produce much written material rather than video editing, making and uploading. Any thoughts will be welcome, thanks in advance! :)

There is no reason you can not have both. You can post links to a block on YouTube, and embed your videos YouTube on his blog. In this way, people can find on YouTube, and if they are interested in what you have to say, I can follow the links to the blog. Y If anyone happens to stumble across your blog can subscribe to your videos on YouTube.

Screencast by @amescreative from Screenr.com


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Evil Dead 2 meets Street Fighter by way of The Matrix in this wild and woolly zombie/yakuza/samurai/kung fu/splatter flick directed by Ryuhei Kitamura. Throughout the world there are 666 portals to the other side; the 444th is Japan and is called the Forest of Resurrection, where good has battled evil for time immemorial. The film opens with prisoner KSC2-303 (Tak Sakaguchi) and his fellow cellmate escaping a maximum-security prison and ending up in the forest where they are supposedly to be picked up by a band of gangsters in a shiny Mercedes and taken to a safer place. Instead, the gangsters try to use them and a female hostage (Chieko Misaka) as pawns in a larger power struggle. A gunfight ensues killing KSC2-303's colleague and the mob boss, but just as the standoff is about to yield more violence, an odd thing happens -- the dead get up and attack the living. In the chaos, KSC2-303 and girl disappear into the forest with a band of slickly coifed yakuza in hot pursuit. High-kicks, machine guns, and rampant disembowelments ensue. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, Rovi


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